Miller, Arthur;
The Crucible: A Play in Four Acts
Penguin, 1968, 128 pages
ISBN 0140480781, 9780140480788
topics: | drama
Miller's scripts are very detailed.
The common room Proctor's house, eight days later. At the right is a door opening on the fields outside. A fireplace is at the left, and behind it a stairway leading upstairs. It is the low, dark, and rather long living-room of the time. As the curtain rises, the room is empty. From above, ELIZABETH is heard softly singing to the children. Presently the door opens and JOHN PROCTOR enters, carrying his gun. He glances about the room as he comes toward the fireplace, then halts for an instant as he hears her singing. He continues on to the fireplace, leans the gun against the wall as he swings a pot out of the fire and smells it. Then he lifts out the ladle and tastes. He is not quire pleased. He reaches to a cupboard, takes a pinch of salt, and drops it into the pot. As he is tasting again, her footsteps are heard on the stair. He swings the pot into the fireplace and goes to a basin and washes his hands and face. ELIZABETH enters.
The vestry room of the salem meeting house, now serving as the anteroom of the General Court. As the curtain rises, the rom is empty, but for sunlight pouring through two high windows in the back wall. The room is solemn, even forbidding. Heavy beams just out, boards of random widths make up the walls. At the right are two doors leading into the meeting house proper, where the court is being held. At the left another door leads outside. There is a plain bench at the right we hear a prosecutor's voice, JUDGE HATHORNE'S asking a question; then a woman's voice, MARTHA COREY'S replying.