Mukherjee, Rudrangshu;
Spectre of Violence: The 1857 Kanpur Massacres
Penguin India 1998 / 2007
ISBN 9780143101819 / 0143101811
topics: | british-india | history | 1857 | kanpur
Mukherjee's thesis, which appears to have escaped Indian historiography so far, is to underline the role of systemic violence in the British Raj. The excessive violence exhibited while repelling the mutiny and the Indian native is shown by Mukherjee to be a reaction to the audacity of the native to overturn the empire's "monopoly on violence". He argues that the violence exhibited by the insurgents during the mutiny was cut from the same cloth, and was no less horrific than the spectacle of forty live men being blown off from cannon, their flesh and bones scattering on observers.
Mukherjee highlights the violent methods by which Britishers (East India Company) had imposed its dominance on the peasantry, hanging any suspected criminal from the nearest tree, forcing native women into sexual subservience, and redistributing large tracts of ancestral property based on revenue assessments that were often ill-informed, harsh and unbalanced.
As an example of the violence by the British, we have this statement by a British official in Allahabad: Every native that appeared in sight was shot down without question, and in the morning Colonel Neill sent out parties of regiment . . . and burned all the villages near where the ruins of our bungalows stood, and hung every native that they could catch, on the trees that lined the road. Another party of soldiers penetrated in to the native city and set fire to it, whilst volley after volley of grape and canister was poured into the fugitives as they fled from their burning houses. Natives were lynched by such groups for even the most "trifling crimes". Since such descriptions are available primarily from British sources, Mukherjee suggests that only excesses were documented, and the established practice of British violence on Indians was largely overlooked since it was considered "necessary". a gallows erected by britishers where any indian could be hanged by kangaroo courts of Britishers. An official described Colonel Neill's method as: "Every native that appeared in sight was shot down without question..." though British historians, including a response by Barbara English to an earlier paper by Mukherjee, attempt to portray Neill and some others as outliers, Mukherjee argues that they were actually the mainstream, which is why the inverse violence was seen as so staggering. Unsurprisingly, there has not been much written on the violence committed by the British state on its Indian subjects. It is not that historians were unaware of the violence - indeed, this underlying violence appears between the lines as the unspoken assumption of colonial historiography, taken as a justified step against the dark immoral forces of thuggery and lawlessness. This continued a tradition. The driving compulsion behind these acts was a sense of difference, the backwardness of the natives, requiring the civilizing mission of colonialism (see Thomas Metcalf, Ideologies of the Raj, New cambridge history of India v.III.4, 1995). Brutal aspects of despotic rule and wealth generation by force are largely suppressed or presented as part of the civilizing impulse or as justifiable acts of retribution. As an example of this blindness to violence we may note what the late historian Tapan Raychaudhuri, observes in his autobiography, The World in Our Time (2011). After arriving at Oxford in the 1950s, he found it "a major centre of empire worship"; he is dismayed by the ignorance, even among liberals, of the empire’s connection with bloodshed: one of them "had never heard of Britain’s exploitative role" till he visited India, though "he had studied the history of Britain and her empire at Oxford."
In the colonial myth, the heroic acts of the colonizers are constantly being undermined by the dark intrigues of the natives. These views are aligned with a national ideology steeped in the ideas of a civilizing mission and liberalism. Whereas violence against the natives is routine, violence against the ruling class calls forth the strongest emotion. Though comparatively insignificant numbers of Britishers are killed or attacked, the events are magnified manifold. And this is especially so if it is the women whose honour have to be safeguarded, when it becomes a source of the fiercest indignation: can pen describe the nameless horrors of the time — gently nurtured ladies outraged and slain before the eyes of their husbands, children and helpless infants slaughtered — a very Golgotha of butchery, as all know who have read of the Well of Cawnpore? [Griffiths and Yonge, A Narrative of the Siege of Delhi] Mukherjee's argument is that in the colonial narrative, violence against the natives is never a concern, and the focus is exclusively on the violence against the perpetrators of systemic violence, the ruling British. A second objective of the work is to highlight the inadequacy of evidence underlying colonial narrative of events in Kanpur.
The story of the massacre of two hundred british at the Sati Chaura ghat has been endlessly retold (though it turns out, it may have been the British who started the firing at the ghat). In contrast, though indian casualties were at least a few hundred times the British deaths, we know very little about incidents where Indians were massacred in the mutiny. In today's lucknow, the residency an important landmark for tourists, but no one knows about Sikander Bagh, where 2200 mutineers were cornered and ruthlessly killed in the enclosed garden; they were shot and bayoneted heaped up against a wall by the British and Sikh troops advancing to relieve the residency. Today the building houses the National Botanical Research Institute. By some estimates based on evidence of emptied villages and undeliverable letters, 10-15 million Indians may have died in the decade following the mutiny in Oudh alone. The total British casualty was 2163 officers and men. Photo of Sikander Bagh by Felice Beato, taken in 1858, showing skulls littering the ground. Around 2200 mutineers were cornered and ruthlessly bayoneted in this enclosed garden. Today it is the garden of the National Botanical Research Institute.
While this part of the story is hard to extract from his ineffective writing style, one of the main points seems to be that it is conceivable that at the Sati Chaura Ghat ("Massacre Ghat"), the first shots were fired not by the Indian sepoys, but by the tense britishers whose boats were refusing to launch into the weakened flow, and who were unable to communicate with the boatmen trying to launch the boats. In at least one of the descriptions by a direct participant, we find Mowbray Thomson's report saying: at a signal from the shore, the native boatmen, who numbered eight and a coxswain to each boat, all jumped over and waded to the shore. We fired into them immediately, but the majority of them escaped... It seems that only later did the sepoys on shore start firing. Thus, it may indicate that the firing was started by Britishers on boats, after the tension and confusion caused by boatmen's actions. (p.96) Mukherjee analyzes all the writings about the event and shows that later reports, even by original participants, often were coloured by the widespread lurid writing appearing in mainstream magazines and other sources. Going by the very earliest reports, it is certainly not possible any longer to reconstruct what actually happened; that the Britishers started firing first is just as likely an eventuality than the (much ballyhooed) other way around.
Mukherjee's objective is to array a series of arguments and detailed analysis, without much regard to the flow of the evidence. The dense, bristling arguments defeat any attempts to follow the story (even the logic). The book is impossible to "read" in any commonly understood sense of the term. In the middle of the action, he will suddenly withdraw to pontificate on Hegel and Foucault, leaving the reader stranded as to what happened next. It's as if the book was written for those who already know the mainline narrative, only the extras need to be given. For example, we find on p.68 the first mention of Mowbray Thompson, who was part of the first two boats that got away; down river he swam to the shore and was rescued by a landed magnate". Disconcertingly, nothing appears earlier about two boats being able to get away. Also, we are left wondering what happened to others on these boats. Much later, on an insignificant aside, you find that the British claimed "that these two boats were chased and most were shot down." Was the British claim impugned or not? You never find out. You are left wallowing in the ganges mud on these and many other questions. In parts, the narrative reporting the british p.o.v. appears to be sarcastic, but the reader is unsure of this. Revisionist historiography is not a new enterprise. I can see John Keegan taking the same narratives, and skewering mercilessly the substance-less romanticism and uniformity and implausibility of the stories (see The face of battle) while still weaving a fascinating narrative. Mukherjee is good in his trench-work, but one wishes the narrative was stated with greater clarity...
In late June 1857, Colonel Neill at Allahabad and Major Renaud at Fatehpur had been killing natives recklessly. In one of Neill's orders of June 29 1857, he orders a village "to be attacked and destroyed — slaughter all the men — take no prisoners.... All insurgents that fall into good hands hang at once — and shoot all you can." Mukherjee suggests that some of this news may have trickled into Kanpur by mid-July, when about 200 british women and children were butchered in one of the most savage acts in the mutiny. At the time, the British relieving forces under Havelock were at Maharajpur, just two day's march from Kanpur. that evening, about two hundred British women and children, imprisoned in Bibighar, were killed by swords at the order of a woman called "the Begum". Later investigations revealed that sepoys had refused to shoot them, and that they had been murdered by a group of butchers. Mukherjee suggests (in a more general context) that the excessive violence of the rebels may have had something to do with news coming in of the excessive violence being inflicted on their kith and kin in the villages by the troops of Neill and others: It is not far-fetched to imagine that the news of British atrocities reached the rebel stronghold in Kanpur. The rebels wanted to counter this show of violence by their own exhibition of power. This 'borrowed' from the British and replicated the violence. p.73 This event, more than any others, electrified the British depictions of the mutiny. The atrocities committed on the kind-hearted British on their civilizing mission, were viewed as ‘foulest treachery’. Gautam Chakravarty, writes in The Indian mutiny and the British imagination: Kanpur was extraordinarily sensational not only because of the numbers involved but also and especially because at Kanpur British women had been subjected to systematic humiliation and violence, the news of such events questioned current notions of security, and the inviolability of British power, prestige and person in India. However, stories of atrocities against women were much amplified in Britain. In the early months as news of the mutiny seeped in, the Earl of Shaftesbury proclaimed in a speech at Wimborne: I myself heard a letter the other day, from the highest lady now in India, describing that day by day ladies were coming into Calcutta with their ears and noses cut off and their eyes put out... [the speech was widely reported, in The Times 2 Nov 1857 see The London Quarterly Review, 1857 The speech was also circulated as a pamphlet ("penny dreadful") under the title "The Earl of Shaftesbury's Great Speech on Indian Cruelties." He subsequently retracted the statement, but the images had already seeped into the populace. (cited in Martin, The Indian Empire, vol. ii, 1) Even by late 1858, the "Cawnpore" had become a word to reckon with in the British imagination. So much so, that a newly arrived soldier "polished off" two natives who they heard talking about "'Cawnpore'. I knowed what that meant..." (see below) Margaret Wheeler shooting an approaching native soldier. Much of the lurid imagination in the British narrative focused on British women in the mutiny, who were supposed to have been ravished by the mutineers, particularly in Kanpur where Nana was painted in the darkest villainous colours. However, the record is clear that the women were only confined, and were very much unmolested, and it is not clear that the Bibighar killings were ordered by Nana. In contrast, how much do we know about the atrocities committed by british troops against indian women from the villages? It is this lack of commentary that Mukherjee is primarily commenting on. The story of Margaret Wheeler, in the image above, is of interest. The daughter of General Hugh Wheeler and his Indian wife, she and Amy Horne had floated downriver, and were separated. She was never heard from thereafter, and many a fictional narrative grew up about her having killed some infidels (depicted above). But many britishers believe that she survived. One legend is that she lived as a wife in a muslim household and confessed on her deathbed that she was indeed Margaret Wheeler.
In the early months of the rebellion at Kanpur, nearly four hundred Britishers were killed by the Indian rebels. This act was viewed with extreme horror by the British, who in the words of Mukherjee and other subaltern authors like Ranajit Guha, were accustomed to a monopoly on violence as the ruling power. Earlier events such as the Black Well of Calcutta (which appears to have been an exaggerated account), had been similarly melodramatized. To the British mind, these incidents related to violence against a handful of british, were the focal point of the mutiny narrative, and a large body of British historiography focused on this episode. Gautam Chakravarty, in his The Indian mutiny and the British imagination (2005), demonstrates that with 70 odd full-length novels dealing with the mutiny (from 1859 to 1985), the mutiny fired the imagination of the British public like no other event of 19th century imperial expansion. However, in an earlier book on the mutiny, Awadh in Revolt 1857-1858: A Study of Popular Resistance, Mukherjee completely ignored the episode at Kanpur. This was not viewed kindly by the traditionalists, as seen in this 1991 response from Barbara English: The best-known incident of the "Indian Mutiny" or "First Freedom Struggle" of 1857 was the massacre of Europeans at Kanpur - or, as the Victorians invariably called it, Cawnpore. ... In 1984 Rudrangshu Mukherjee published a history of the 1857 revolt in the kingdom of Oudh, of which Cawnpore had formerly been a part. His book contained no mention of the massacre... [In his response, Mukherjee points out that at the very outset of Awadh in Revolt he had said he was going to focus on the Lucknow region. Thanks to this remark by English, Mukherjee took up the story in his Spectre of Violence.] One of the questions that Mukherjee seeks to unravel in this book is precisely how, and to whom this incident came to become the "best-known". He analyzes the various descriptions, the process of collecting evidence, uncovering several contradictions, particularly regarding the massacre at Satichaura ghat. Then he traces the process of English narrative construction, analyzes three texts in detail, and then moves on to the several earlier Indian histories. Thus, while his primary aim is historiographical, he also seeks to underline the extreme violence prevalent in the British rule. The violence perpetrated by the Indians, while treacherous and ghastly, is on a far smaller scale compared to the violence inflicted by the state. This view is somewhat obscured in the book by the larger attempt to analyze the historiography of the event. In a 1990 [past.oxfordjournals.org/cgi/content/citation/128/1/92|paper] by Mukherjee, he writes: British rule in India, as an autocracy, had meticulously constructed a monopoly of violence. .... It was an era of brutal floggings and of Indian women being forced to become mistresses of white men; of recalcitrant elements being blown from cannons so that their bodies were effaced and the onlookers covered with blood and fragments of flesh. British rule thus visibly manifested itself by marking the body of the Indian. British forces punishing sepoys by blowing them from guns. One man has just been blown off and his body parts appear in the smoke. In the foreground, the next prisoner sits on the ground resisting his fate, while behind him another man appears bravely defiant. - from History of the Indian mutiny. Charles Ball (1859). (source) Here is a first person account of a man being blown from a cannon (p.40-41): The first man led out was a fine looking young sepoy... I had his wrists tied tightly, each to the upper part of a wheel of the gun. Then I depressed the muzzle, until it pointed to the pit of his stomach, just below the sternum. The young Sepoy looked undauntedly at us during the whole process of pinioning: indeed, he never flinched for a moment. ... Then I ordered the pot-fire to be lighted and gave the word 'Fire!' There was considerable recoil from the gun and a thick cloud of smoke hung over us. As this cleared away we saw two legs lying in front of the gun; but no other sign of what had, just before been a human being and a brave man. At this moment, perhaps six to eight seconds after the explosion, down fell the man's head among us, slightly blackened but otherwise scarcely changed. - FC Maude, Memories of the Mutiny 1894, v.1 p. 277
After the {http://www.mapsofindia.com/on-this-day/july-10-1806-the-vellore-mutiny-breaks-out-against-the-british|Vellore mutiny] of 1806, six mutineers were blown away from guns [canons]. In the Manual of the North Arcot District (1898) magistrate Arthur C. Fox notes how the executions produced the profoundest impression. A spectator describes how numbers of kites accompanied the party to the place of execution, flapping their wings and screeching as if in anticipation of the bloody feast, till the fatal flash which scattered their fragments of bodies in air, when, pouncing on their prey, they caught in their talons many pieces of quivering flesh before they could reach the ground. At sight of this the native troops employed on duty, together with the crowd assembled to witness the execution, set up a yell of horror.
As an aside, it may be noted that many mutinies were caused by the arrogance of newly arrived British officers, In the case of Vellore, Gen. John Craddock, who had just arrived in India from Naples, and was unfamiliar with Sepoy mores, forbade Hindus from wearing 'Tilak', and required Muslims to shave their beards and trim their moustaches. As sepoy Sita Ram Pandey has noted in his autobiography, From Sepoy to Subedar (1861) the newer officers were far less informed than the seasoned Britishers he had met in the 1890s. In those days the sahibs could speak our language much better than they do now, and they mixed more with us. Although officers today have to pass the language examination, and have to read books, they do not understand our language. I have seldom met a sahib who could really read a book or letter although he had been passed by the examining board. The only language they learn is that of the lower orders, which they pick up from their servants, and which is unsuitable to be used in polite conversation. These sahibs have done, and are still doing, many things to estrange the British officers from the sepoys. When I was a sepoy the Captain of my company would have some of the·men at his house all day long and he talked with them. Of course many went with the intention of gaining something-to persuade the company commander to recommend them to the Colonel for promotion, or to obtain this or that appointment in the regiment-but far more of us went because we liked the sahib who always treated us as if we were his children. p.25 We also find a narrative of British familiarity with Indian mores - to the extent of understanding intricate ghazals - in what may be the first prose novel written in India, Fasana-e-Rangeen (Cawnpore, 1790), by Muhammad Shah, tr. Q. Hyder, The dancing girl (1993), where we find British Company officials of the 1780s enjoying the nautch and taking up Indian womens in their zenana. The intimate lifestyle of this period is also portrayed by William Dalrymple in his White Mughals (2004). With the advent of the steamship and the Suez Canal, a stricter Christian ethic came to the fore (as noted also by Sita Ram). Memsahibs started arriving and the British settled down to expatriate lives, more insulated from India. Arrogance and ignorance thrived together as familiarity with Indians declined.
By highlighting British violence, Mukerjee appears to be making two points. The first is that while there was indeed considerable violence against the British, but this was highlighted far more in the public mind, compared to the violence routinely meted out to the natives by the colonial power. This happened because of the violence against the British was rare, and antithetical to the concept of governance, which is why it became " "the best-known incident of the Indian Mutiny". Secondly, Mukherjee may be saying that the violence perpetrated by the Indians was no different in degree from the violence exemplified by the state, so the violence per se was not very radical, except that it was being inflicted on members of the ruling class. The fact that this generated so much umbrage underscores the assumption of legitimacy behind the state's violence underlying the colonial view. In addition to the excerpts from the main book below, I have provided large chunks from Mukherjee's 1990 paper, Satan let loose upon earth, a response by a British historian and Mukherjee's own counter-response.
khalk khoda ki, mulk Badshah ka, hukum subahdar sipahi Bahadur ka The world is God's, the country is the Emperor's, the rule or order is that of the soldiers, from Tapti Roy: The politics of a popular uprising, Bundelkhand in 1857, Delhi 1994, p.47 E.H. Carr: The writing of history as a "dialogue between the past and the present" xx The rebels when they took to arms and killed the British broke the monopoly of violence the British thought they enjoyed as the ruling power. ... Radical historiography, in which tradition my own work on 1857 is, I think, situated, privileged rebel violence because it saw it as a viable, perhaps only, modality to invert the structure of domination and subordination. xx
What distinguishes Cawnpore in the imperial mind is the act of violence committed against a number of Europeans. It still looms large over the histories written of the period, which are treated at length for about a quarter of the book. Of Andrew Ward's 1996 book on the mutiny at Kanpur: Our bones are scattered: The Cawnpore Massacres and the Indian Mutiny of 1857, Mukherjee writes: Even today, Kanpur is seen as a site of British suffering, as a chapter in the saga which records a time when white men ruled the world. A recent and detailed account has as its title Our bones are scattered. The choice of the pronoun is significant. In this genre of writing, Cawnpore has not made the transition to Kanpur. This is not a semantic quibble. 'Cawnpore' is the sign that the massacres have not lost their pride of place in the white man's chamber of horrors. 'Cawnpore' is event and metaphor. 5 [but OBaS is not all unbalanced invective; see http://www.cayuga-cc.edu/people/web_pages/felter/sepoy.htm] [Indeed, the use of the term "Cawnpore" is keenly reflects the long-standing attitudes built up by the British narrative. On Wikipedia, for instance, historical events from European history (e.g. the deepest European battle fought by Mongol army, the Battle of Liegnitz, has become the Battle of Legnica, adopting the Polish name despite the dominant German historiography; yet Plassey and Cawnpore continue. ] Violence looms over Kanpur and over writings about it. Eric Stokes, who initiated a historiographical revolution in the study of the revolt of 1857, felt when he visited Satichaura Ghat that, even more than a century after the massacres, "the air seems loaded with menace." p.5 Part of Mukherjee's enterprise in this book seems to be to illustrate that violence was far from a monopoly of the mutineers. Perhaps the menace is more evident to those weaned on the narrative of the violence against Englishmen, a far rarer occurrence, as Mukherjee highlights throughout the book. As Russell says: the peculiar aggravation of the Cawnpore massacre was this, that the deed was done by a subject race -- by black men who dared to shed the blood of their masters, and that of poor helpless ladies and children.. " 118 [WH Russell, Times correspondent, was in India in 1858, and reports on the anti-nigger prejudices of the time. ] The mutiny is presented as a result of terrible deprivations caused by rapacious tax collection policies, and the focus is more on the retribution, which is put in Foucault-ian terms: "It is not a question simply: "Has the act been established and is it punishable, but also, "What is this act, what is this act of violence... what are the most appropriate measure to take? 108
1763: Mir Kasim, ousted as Nawab of Bengal by the British, arrives at Allahabad to Shah Alam II, the fugitive Mughal Emperor, seeking assistance against the British. The emperor was then completely under the control of Shuja-ud-daula, Nawab-Wazir of Awadh. After tortuous negotiations, it was agreed that the three parties join forces against the British. The tripartite alliance was defeated at Baksar in October 1764. The subsequent treaty signed at Allahabad on 16 Aug 1765 was the result of explicit guidelines for Clive set out by the Select committee of the East India Co: It will be necessary however that your Lordship obtain a full grant in the strongest terms for carrying on a free trade through his Dominions, with the privilege of establishing Factories wherever we think proper -- to which shall be annexed contiguous lands and districts as may be found necessary to the convenience and support of the settlements... [including] the keeping of strongholds and protecting our Commerce by Military power... 7 [NOTE: I wonder how present confiscations of property (with some compensation) as in Nandigram - is different from these earlier annexations for commerce]
The hamlet of Kanpur, had one remarkable building - the palace of Raja Hindu Singh Chandel... "the only building of any consequence", said an early British officer. The Raja had founded the village, legend had it, as an act of penance and to honour Krishna. 6 [source: Yalland, Zoe, Traders and Nabobs. The British in Cawnpore 1765-1857] 2 Feb 1771: Capt Robert Brooke led British troops into Kanpur, following a request from the Nawab, after a Maratha incursion in May 1770. He "left two companies in the line and proceeded immediately against the first zemindar who had rebelled." 9 1773: Troops in Awadh maintained at Nawab's expense (treaty at Faizabad) Troops initially stationed at Bilgram; transferred to Kanpur 1778 [Montgomery p.1] Nawab to pay Rs 30 lakh p.a. to EIC for supporting these troops. 1778: 12 villages, centered at Kohna (old Kanpur) to Jajmau on the bank of the Ganges, ceded to the East India Company for cantonment at Kanpur. The names of all the (revenue) villages are hard to find, but they include Patkapur (Patkapur mosque is S of Christ Church college), Kursawan (present-day Phool Bagh/Mall road area), Sisamau (near the P-road), Juhi (near Govindpuri), Nawabganj, Jajmau, Rawatpur. 1801: Wellesley truncated Awadh by taking away a major chunk of the Nawab's territories. Seven districts or zilla's, one of them Kanpur. 1802 March: Abraham Welland appointed to the revenue, judicial and criminal charge of newly formed Kanpur district. His first order is to have a bungalow built that combines living quarters, cutcherry (court room), treasury, a locking cell, and a record room. 10 [Detailed history of revenue collection. The tahsildar, patwari and the qanungo were hostile to British interests. The British felt that they overestimated the revenue, in order to make the districts seem more attractive. Revenue rates were fixed without prior knowledge - extremely high levels:] As long as money was got, there was very little thought of the effect that might be produced on the minds of the people by the manner of getting it. The black and white of demonstrable figures was greater .. than the animosities and resentments of an overtaxed people. - John William Kaye, A History of the Sepoy War in India 1857-1858. 3 vols. p.425-6 Over 1801-1840, the Rajputs [Bai, Chandela, Gautam, Gaur, Chauhan] had their holdings reduce from 50% to 38%; Brahmins went up from 11% to 19%, and moneylender castes from 1% to 4%. 16 At the time, "besides the castes specially devoted to that business ... Brahmans [were] the chief money-lenders". Wright, Final Report on the settlement of the Cawnpore District (Allahabad, 1878) 17 In a district assessed at around Rs 21 Lakhs, land paying revenue of 14.7 L changed hands in thirty years. 21 Mark Bloch: [Historical documents are] a "trace", that is to say, the perceptible mark left by a phenomenon itself impossible to grasp. 78 The 19th c. imperialist historians inscribed the story of Kanpur into their grand narrative of Indian cruelty and inferiority and of British triumph.
[The primary material, particularly Nanak Chand's controversial journal, do not implicate Nana Sahib in the Satichaura massacre or the Bibighur episode. However, Mukherjee attempts to show how from the earliest investigations by Lt. Col. Williams, Nana is painted in darker colours. ] Nanak Chand recorded that Nana Sahib had not given his assent to the massacre plan. [In fact, he ordered the return of all abducted women] But for Williams, from the beginning of his account, the total complicity of Nana Sahib was something that was a 'given'. ... The uprising in Williams' account was monitored completely from above. 114 This vilification of Nana continues in subsequent narratives, and even relatively saner histories like that of Kaye talk of his "black heart".
Several survivor accounts exist, and two give considerable details about the event. Amelia Horne (after marriage, Bennett) and Mowbray Thomson were part of the group that were boarding the 40 boats to Allahabad on June 27. [Amelia (Amy Horne) was abducted by a muslim sepoy Liyakat Ali Khan of 2nd cavalry and converted to Islam and she remained nine months with the family; she later married a railway officer and lived in Calcutta all her life. Published her memoirs of events at Kanpur in 1913. ] Mowbray was part of the first two boats that got away; down river he swam to the shore and was rescued by a landed magnate. p.68 [Disconcertingly, you don't know what happened to these boats. You are told much later, on an aside that these two boats were chased and most were shot down. It's as if the book was written for those who already know the mainline narrative, only the extras need to be given. ] Thomson and Delafosse had been rescued by the talukdar of Murarmau, Dirighbijai Singh. The old talukdar finally conveyed them to Havelock's army as they were marching to Kanpur. 90 Eliza Bradshaw, who succeeded in hiding in a Muslim cemetery, describes the scene: At sunrise on the 27th, some hackerries, three or four elephants, and three palkees were brought into the entrenchments... When we got to our boat, we found it had no bamboo flooring... Suddenly we heard firing, and the pattering of bullets, and then the roar of cannon on both sides of the river. p.69 Also, Amelia Horne, who was taken away by a sepoy as his "prize" echoes much of the mainline narrative. Mukherjee shows that many aspects of these narratives may be later accretions in memory based on mainline published accounts: - "the ghats lined with a large crowd, boatmen setting fire to the thatchings, strategically placed guns on both sides of the river opening fire at a signal ("a bugle sounded"), and of sowars going into the river to cut down those who had jumped off the boats into the waist deep water... the descriptions do not vary" 71 many authors also cite other histories by the time they are writing such memoirs. Chapter 2, "The Event", ends suddenly with this discussion of the mainstream narrative and some incomplete mumblings of their underlying bias and unreliability.
The following chapter opens with a discussion of Hegel on historiography which I found impossible to read since I wanted to find out what Mukherjee has uncovered about the unreliability of these witnesses. This does not come until after quite a few pages, where he starts comparing the first narratives collected with their later printed versions. In the narrative of Amelia (Horne) Bennett, in the manuscript version she writes of "General Sir Hugh Wheeler whose hands were cut off as soon as he was brought from the boat." But this fact disappears in the published version. Presumably, a familiarity with the works of Kaye and Malleson, from whom she quotes in the printed version, had made her aware that it was by no means certain that Wheeler had suffered such a fate. In the printed version of Mowbray Thomson's report, he writes at a signal from the shore, the native boatmen, who numbered eight and a coxswain to each boat, all jumped over and waded to the shore. We fired into them immediately, but the majority of them escaped... It is only later that the guns from the shore start firing. Thus, it seems to indicate that the firing was started by Britishers on boats. 96 Also considers the evidence of Nanak Chund's diary and Hulas Singh (kotwal under the Nana Raj, who eventually surrendered in the Terai and gave a detailed confession.) A main claim is that Nanak Chand's diary has the line: The Nana did not consent [to a plan for a massacre] - this was left out by Lt Col G Williams who was compiling a history of events at Kanpur. Mukherjee shows how Williams' report was predicated from the start on the assumption of Nana's complicity in a planned act of massacre. The native testimony certainly does not contain any evidence that a massacre was planned, as claimed vigorously in the colonial narrative. Finally, Mukherjee concludes: The historian of the massacre at Kanpur is thus faced with a situation where the so-called primary sources do not centrally address the issue of the massacres. The first-hand survivor accounts describe the horror but they also contain contradictions, variations between different versions, attempts to render their accounts credible by incorporating external testimonies, and so on. ... In the years following the massacre, many histories came to be written, all of them making claims to 'truth' based on the same body of evidence, till 'Cawnpore' became a myth.
Past and Present, No. 128 (Aug., 1990), pp. 92-116 [The central theme of Spectre of Violence was presaged by Mukherjee's 1990 paper, which makes the case for the British use of violence as a means to establish the master-slave relationship, and the image of the revolt as a popular insurrection with deep causes (as opposed to a military revolt fueled by rumours). ] In fact, the peculiar aggravation of the Cawnpore massacres was this, that the deed was done by a subject race by black men who dared to shed the blood of their masters, and that of poor helpless ladies and children. Here we had not only a servile war and a sort of Jacquerie combined, but we had a war of religion, a war of race, and a war of revenge, of hope, of national promptings to shake off the yoke of a stranger and to re-establish the full power of native chiefs, and the full sway of native religions . . . Whatever the causes of the mutiny and the revolt, it is clear enough that one of the modes by which the leaders, as if by common instinct, determined to effect their end was, the destruction of every white man, woman or child who fell into their hands. [ Martin Gubbins, An Account pf the Mutinies in Oudh and the Siege of the Lucknow Residency London, 1858), p. 118.] "Our learned men . . . told us that the Company's rule would come to an end in 1857, since this was one hundred years after the Company's first great battle": so wrote Sitaram, the loyal sepoy, in his autobiographical narrative of the uprising of 1857. The explosion that the astrologers had predicted -- a prophecy that was widely circulated in north India - did indeed come, but not exactly on the centenary of Plassey. It began on 10 May 1857 in the cantonment town of Meerut, north-east of Delhi. In the space of one month the uprising had engulfed the entire Gangetic plain, and British rule there, as one British officer put it, had collapsed "like a house made of cards". It took nearly two years for British rule to be re-established. The uprising and the subsequent re-establishment of British power were marked by scenes of violence quite unparalleled in the history of British rule in India. This article attempts to analyse one such episode: the massacres of the British by the rebel Indians in Kanpur (Cawnpore).
Violence, it must be emphasized, was an essential component of the British presence in India. It was violence that served as the ultimate imprimatur of colonialism. "There was no power in India", wrote Philip Francis, "but the power of the sword, and that was the British sword, and no other". Warren Hastings also admitted that the sword was the most valid title the British had to sovereignty in India. [The fact that the empire rested on a thesis of violence has been covered up by many layers of narrative. In Terry Deary's Barmy British Empire the opening page makes this cartoon treatment: You're sitting at your house one day when in marches a bunch of soldiers and they say: which is funny because, like all humour, it is also true. ] A dominant power is always uneasy with violence directed against it, since non-reciprocal violence is one of the necessary conditions of its reproduction. The right to violence is, therefore, everywhere a privilege that authority enjoys and refuses to share with those under it: power always insists on violence as its exclusive monopoly. British rule in India, as an autocracy, had meticulously constructed a monopoly of violence. The revolt of 1857 shattered that monopoly by matching an official, alien violence by an indigenous violence of the colonized. William Howard Russell, the Times correspondent, noted in his diary that: to the intelligent Briton, they are as the beasts of the field. "By Jove! sir", exclaims the major, who has by this time got to the walnut stage of the argument, to which he has arrived by gradations of sherry, port, ale and Madeira - "By Jove!" he exclaims, thickly and fiercely, with every vein in his forehead swollen like whip cord, "those niggers are such a confounded sensual lazy set, cramming themselves with ghee and sweetmeats and smoking their cursed chillumjees all day and all night, that you might as well think to train pigs. . ." The fact is, I fear that the favourites of heaven - the civilizers of the world la race blanche . . . are naturally the most intolerant in the world. Another British resident recorded that: the sepoy is [regarded as] an inferior creature. He is sworn at. He is treated roughly. He is spoken as a "nigger". He is addressed as "suar" or pig, an epithet most opprobrious to a respectable native. . . [the younger British officers] seem to regard it as an excellent joke, as an evidence of spirit and a praiseworthy sense of superiority over the sepoy to treat him as an inferior animal. [Quoted in C. Hibbert, The Great Mutiny ] It was an era of brutal floggings and of Indian women being forced to become mistresses of white men; of recalcitrant elements being blown from cannons so that their bodies were effaced and the on-lookers covered with blood and fragments of flesh. British rule thus visibly manifested itself by marking the body of the Indian. This brutality and violence is important if we are to understand the overall context of the Kanpur massacres. Imperial rule in India could only perpetuate itself by a deployment of terror, a terror that would strike awe in the minds of the ruled. The British had in the process of consolidating their power in the first half of the nineteenth century, violated all that was held sacred and dear by the people of India. Social reforms based on the principles of reason, land-revenue administration based on Ricardian theories of rent, a legal system imported from England, the propagation of Christianity and the dispossession of kings, their successors and landed magnates, had together brought about a major upheaval in north India. An entire way of life was going under, and naturally the people affected felt aggrieved. This way of life in the nineteenth century was inevitably imbricated with religion. The reforming zeal of British administrators was thus often interpreted as an attempt to subvert the religion of Hindus and Muslims. This created an atmosphere of fear and distrust in which anything associated with Christianity was an object of suspicion and hatred. In Sitapur, in Awadh, the very name of the commissioner Mr. Christian became identified with the religion and increased the wrath of the rebels. [J. W. Kaye, History of the Sepoy War in India, 1857-58,1880-1881, iii, p. 456.] The uprising of 1857 thus displayed a very strong religious fervour. The rebels thought that they were fighting in defence of their religion. And in this there was no difference between a Hindu and a Muslim. A group of rebels setting out why they had taken to arms declared, "If the religion of a Hindoo or Mussalman is lost, what remains in the world''?10 A rebel proclamation announced that "The rebellion began with religion" 11 10 National Archives of India, Delhi, Foreign Dept., Political Consultations 13 May 1859, consultation no. 326, abstract translation of an arzi (proclamation) from the rebel camp on the part of all the rebel officers and sepoys to Maharaja Jang Bahadur, quoted in Rizvi and Bhargava(eds.), Freedom Struggle, ii , pp. 603-S. 11 National Archives of India, Foreign Dept., Political Consultations 17 Dec. 1858 consultation no. 251, "Translation of a Proclamation Issued by the Begum in the Name of Birjis Qadr". There was among the people and the sepoys a deep-seated belief in the existence of a deliberate British plot to overthrow caste and religion. The interventions of British administrators in all aspects of life only served to aggravate these apprehensions. Such an atmosphere facilitated the circulation of rumours. In north India in the summer of 1857, there were rumours about the cartridges of the new Enfield rifle being coated with the fat of cows and pigs; about flour being polluted by bone-dust; about forcible conversions to Christianity; about the intentions of the British to disarm the sepoys; and about the end of British rule at the centenary of Plassey. All these circulating together aggregated in to one gigantic rumour about the evil intentions of the British. The violence intrinsic to British rule in India, the violation by zealous British administrator of all that was sacred and cherished, and a perceived threat to religion that manifested itself in the circulation of rumours these are perspectives that have to be borne in mind for comprehending the nature of the uprising and the massacres in Kanpur. The first news of disaffection among the sepoys of the Bengal Army reached Kanpur some time in April 1857.13 In May the news of the outbreak in Meerut and following that, the fall of Delhi a few days later, had an electrifying effect on the troops and the population in Kanpur as well as all over north India. Troops in Kanpur very soon began to show their hostility to the British. One sepoy told an employee at the commissariat, "You are serpents, and not one of you shall be spared".15 In the bazaar a sergeant's wife was told by a sepoy out of regimental dress, "You will none of you come here much oftener; you will not be alive another week".16 There was a general sense of alarm and expectancy in the city, in which there also seemed to be more sepoys and villagers than usual.17 In the sepoy lines, panchayats (a general assembly where things of importance are discussed and decided collectively) were held every night.18 A loyal sepoy made the following statement after the revolt: The foremost in this consultation [held on 4 June] were Shumsh-ood-deen Khan, Sheikh Boolagee, Sirdar Beg Raw Singh and others . . . The meetings were held at Shumsh-ood-deen's house, and sometimes at the house of Teeka Ram Singh, a subadar of the cavalry. . . On the 4th June, all the troopers sent away their families and property to the city.l9 The mutiny began on the night of 4 June 1857 in what J. W. Kaye described as the "wonted fashion": firing of guns and extensive burning of British property. Then the sepoys sped in the direction of Delhi, stopping for the night at a place called Kalyanpur, a little distance from Kanpur. 13 Deposition of Sheo Churrun Das, Sadho of Cawnpoor in Depositions Taken at Cawnpore under the Direction of Lieutenant-Colonel GW . Williams in Narrative of the Events in the NWP in 1857-58( Calcutta,n.d.), section on Kanpur [Narrative Kanpur:] 14 Williams, "Review of the Evidence". 15 W. J. Shepherd, A Personal Narrative of the Outbreak and Massacre at Cawnpore (Lucknow, 1879),p . 11. 16 Mowbray Thomson, The Story of Cawnpore (London,1859),p .29. 17 Nanak Chand's diary of events in Kanpur printed as "Translation of a Narrative of Events at Cawnpore" in Narrative Kanpur: 3 June 1857. 18 C, Ball, History of the Indian Mutiny, 2 vols. (London, n.d.), i, pp. 299-300. 19 Deposition of Ewuz Khan in Depositions at Cawnpore. Since the time of the outbreak at Meerut, the British in Kanpur had been making preparations to protect themselves. Sir Hugh Wheeler, commander of the Kanpur Division, a favourite of the sepoys and convinced of the loyalty of his troops, decided none the less to take precautions. He was responsible not only for the safety of the British troops and their families, but also of all Europeans. He decided, principally because he did not want to be too distant from the sepoy lines, not to use the magazine adjacent to the river and which, surrounded by a strong wall, was therefore the best suited as a defensive position. Instead he chose a spot nearer the sepoy lines, where there were two single-storied barracks with verandahs around them and several outhouses. This site he began to entrench, to fortify with artillery and stock with provisions. As the alarm spread in the city he ordered all Europeans into the entrenchment, which came to be inhabited by some nine hundred persons. This would be the spot where the British would remain until 27 June. Surrounded on all sides by rebels who fired on them night and day, the British withstood the siege. Their suffering and heroism are the stock-in-trade of most popular accounts of the Mutiny. From Kalyanpur the rebels turned back, having first met up with Nana Sahib and his men. Nana Sahib was the adopted son of the last peshwa (prime minister), Baji Rao II, the leader of the Maratha confederacy, who had surrendered to the English in June 1818. He lived in exile in Bithoor, near Kanpur, and was given an annual pension of Rs.8 lakhs in lieu of surrendering his kingdom. He adopted three sons; Nana Sahib, or Dhondo Pant, which was his real name, was the eldest. In his will Baji Rao made Nana Sahib the sole heir to his property. When Nana Sahib inherited the property after Baji Rao's death in 1851 he was in his thirties. The Company's government, however, refused to recognize his right to the pension that Baji Rao had received. "For thirty years", the governor-general wrote, "the Peshwa received an annual stipend . . . Those who remain have no claim whatever on the consideration of the British Government". The Nana Sahib appealed to the court of directors and even sent his agent, Azimullah, to London to plead his case. His efforts were in vain. Yet he continued to remain friendly with the British, entertaining them quite lavishly in his palace in Bithur.23 His relationship with them was so close that he was invited by the magistrate of Kanpur to guard the treasury; Nana Sahib had, in fact, put himself' in frequent communication with the Magistrate . and proffered offers of assistance in case of an outbreak".24 The circumstances that led to Nana Sahib's joining the rebels will be discussed below. Suffice to say at this point of the narrative that the rebels returned to Kanpur and the Nana informed General Wheeler on 7 June of his intention to attack the British entrenchment. The siege had begun. 23 The best account of Nana Sahib is in P. C. Gupta, Nana Sahib and the Rising at Cawnpore Oxford, 1963). The governor-general's is quoted on p.20. On 25 June the British pickets saw a woman approaching the entrenchments. (identity not certain - either Mrs. Greenway or Mrs. Jacobi). She carried a letter which stated that All those who are in no way connected with the acts of Lord Dalhousie, and are willing to lay down their arms, shall receive a safe passage to Allahabad".25 It was not signed, but the handwriting was recognized as Azimullah's. Negotiations began, terms of surrender were agreed upon and the treaty signed by Nana Sahib. The conditions of surrender according to Mowbray Thomson, were "honourable surrender of our shattered barracks and free exit under arms, with sixty rounds of ammunition per man; carriages to be provided for the conveyance of the wounded, the women and children; boats furnished with flour to be ready at the ghaut." [p.153] On the morning of 27 June the British left the entrenchments to proceed to Satichaura Ghat, where the boats were kept. According to one estimate, made after comparing different accounts, four hundred and fifty persons came out of the entrenchments. [Shepherd, Personal Narrative of the Outbreak and Massacre at Cawnpore, p.74.] As the British began to board the boats, guns opened fire from both banks and the thatched awnings of the boats were set alight. All but one hundred and thirty were slaughtered; twenty of the survivors managed to escape, the rest were taken prisoner. [with the outbreak of the mutiny] the sepoys "divest[ed] themselves of their uniform", tore off the regimental colours and broke out from their lines. sepoys cast off the markers with which an alien power had sought to regiment them and thus set them apart from the peasantry from which they were recruited... they reclaimed their peasant character. They merged with the ordinary people. [p.99] This merger is significant since it signals the extension of the mutinies to a general uprising. The mutinies struck with remarkable success resulting in the disappearance of British rule in north India. This breakdown allowed the inhabitants of Kanpur's neighbouring villages, some of whom had been arming themselves prior to the mutiny, to pour into the city. Once this happened it became meaningless and impossible to distinguish the rebel and the mutineer. Insurgency, true to its character, had become a collective enterprise.31 Nanak Chand, a loyalist who kept a diary of the events in Kanpur: wrote on 6 June, "There is a great crowd. It is impossible to record the names of all at such a time". 8 June, "It would be impossible to mention the names of all evil-minded men who joined the standard". The populace, seized by a rebel consciousness, set out to destroy, but not indiscriminately. The British, and all that they owned or represented, were the first target. After this the destruction extended to the wealthy and propertied in Kanpur; businessmen, especially money-lenders, were the chief targets. Such discrimination and selectivity in destruction has been singled out as one of the general features of peasant insurgency in colonial India. Other features of insurgency, like undermining the prestige of the dominators through verbal and other kinds of insult, accompanied the outbreak. Shepherd recalled that while in captivity he had been continously insulted and that the rebels would not utter a word without an "abusive epithet" to describe the British. Amelia Horne recorded the "rude and rough" behaviour of the rebels when they entered the entrenchments on the morning of 27 June. British officers, she said, were severely beaten, and when an officer objected to such behaviour "they abused him in so gross a manner that it made the ears of all tingle, threatening in the bargain to spit on his face". The British were not accustomed to such behaviour; it frightened "us to death", wrote Amelia Horne. Colonel Ewart, before being killed, was taunted by the former sepoys of his regiment as the British walked out of the entrenchment with the words, "Is not this a fine parade and is it not well dressed up?" It was not the British alone who had such indignities inflicted upon them. The elites of Kanpur, who were known to be friends of the British, were similarly insulted. The Nuneh Nawab, or Mahomed Ali Khan, an influential person in the town and a known friend of the British, had his horse taken away from him and "instead of which I got a mere 'Tuttoo' [mare/mule] belonging to a servant of my brother"4 2 In a society where the type of carriage invariably indicated status, to ask a Nawab to ride a mule and that belonging to a servant - was to destroy his position in society. The Nuneh Nawab was also "led through the streets in ignominious show", the rebels "heaped abuses on me" and "threatened to have me tied to a tree".43 As the rebellion gathered momentum the ranks of the rebels swelled. People came "to see the fun" of the dominators being attacked and humiliated, and such people were pressed into the rebellion. The rebels used their presence in large numbers to win over the vacillator and draw the onlooker into the folds of the rebellion. The collective nature of the enterprise possibly contributed to it being seen as "fun": there was feasting and sharbat was distributed; the rebels held nautches with buffoons. There was a sense of liberation, the joy of having achieved the impossible. What these features make obvious is that the initiative for the uprising in Kanpur came from the ordinary people. Having revolted and destroyed, they still had to deal with Nana Sahib. There are two versions of the meeting between the rebels and the Nana. According to one version, a deputation from the rebels met and told him, "Maharaja, kingdom awaits you if you join our cause but death if you side with our enemies". The Nana readily replied, "What have I to do with the British? I am altogether yours". And in a royal gesture he placed his hands on their heads and swore to join them. The other version states that when the Nana saw the entire soldiery had completely thrown off their allegiance to the Company, he decided to join and advise them.
[reply to above paper by Mukherjee] The best-known incident of the "Indian Mutiny" or "First Freedom Struggle" of 1857 was the massacre of Europeans at Kanpur - or, as the Victorians invariably called it, Cawnpore. There were three interrelated phases of killing. The outnumbered and ill-equipped garrison of about a thousand Europeans (half were women or children), besieged at Cawnpore in June 1857, surrendered on the promise of a safe passage and boats to take the survivors to Allahabad. After the Europeans had left their defences and had begun to board the boats at Satichaura Ghat on the Ganges, they were ambushed, and the boats were set on fire. Of approximately four hundred and fifty men, women and children at the ghat, more than half were killed in and around the boats on 27 June. Later the same day the surviving men were shot on the river bank. The remaining members of the garrison, about two hundred women and children, were taken back to the town and imprisoned in a building called the Bibighur, and there, on 15 July, as a relief column approached Cawnpore, those that had not already died were cut to pieces and, dead or dying, were thrown into a well. From the prisoners in the Bibighur there were no survivors. The outline of the story is clear; the detail, because of the difficulty in obtaining and verifying evidence, has always been blurred. In 1984 Rudrangshu Mukherjee published a history of the 1857 revolt in the kingdom of Oudh, of which Cawnpore had formerly been a part. His book contained no mention of the massacre, and it is to this that he has returned, in a recent article in Past and Present, which seeks to explain the killings in sociological terms. Quoting Hegel, Gramsci, Foucault and, on the particular circumstances of 1857, Ranajit Guha's Elementary Aspects of Peasant Insurgency in Colonial India, he sees the first two phases of the massacre (at the river) as a public spectacle of total communal involvement "when a body politic struggled to recover its totality by destroying the body of its dominant other", while the third phase (at the Bibighur) was the secret and criminal act of the rebel leadership. The killings were based, his argument continues, on two different codes of violence, the code of peasant insurgency governing the first phases and the code of the criminal governing the last: "the criminal may be said to stand in the same relation to the insurgent as does what is conspiratorial (or secretive) to what is public (or open), or what is individualistic (or small group) to what is communal (or mass) in character". Mukherjee's approach connects the nature of British rule in India with the particular e vents at Cawnpore.H e rightly emphasizes among the causes of the revolt the significance of British administrative and social reforms, provoking Indian anxieties about caste and religion. Although armed revolt was endemic in British India, in 1857 the Indian troops of the Bengal army joined with the disinherited nobility and with landowners and peasants driven by economic pressures. To these well-documented grievances, however, Mukherjee has added the violence of British colonialism: "Violence, it must be emphasized, was an essential component of the British presence in India"; "British rule in India, as an autocracy, had meticulously constructed a monopoly of violence"; "Imperial rule in India could only perpetuate itself by a deployment of terror". The linkage between colonial rule and the Cawnpore massacre follows: "the terms of their violence [at Cawnpore] were thus derived from that very structure of power against which they had revolted". More specifically: It was an era of brutal floggings and of Indian women being forced to become mistresses of white men; of recalcitrant elements being blown from cannons so that their bodies were effaced and the onlookers covered with blood and fragments of flesh. British rule thus visibly manifested itself by marking the body of the Indian. [p. 94]. The use of "body", in this and other passages, presumably derives from Foucault... The actions in 1857 of Renaud, of Neill, of "Hanging" Power, of Frederick Cooper and of many others, should be recorded with horror-as they have been, by British historians and others from the 1850s onwards. There were evil men and atrocities among both the British and the Indians, but there were also humane men and merciful actions. The few survivors of Cawnpore were sheltered by Indian landowners; many officers and their families elsewhere in the north-west were protected by the sepoys, and even at Cawnpore some sepoys remained in the British entrenchments. Indeed the British held India in 1857 only because of the large number of Indian troops who fought for the Europeans. Charles Canning was appalled by the Cawnpore massacre, which still retains its power to chill the blood: within ten days, however, he had issued his famous "Clemency" resolution...
Through a series of Acts numbers VIII, XI, XIV and XVI of 1857 (all passed in May-June) something much more than martial law was imposed all over north India. In effect these various Acts gave individual Britons the right to judge and take the life of Indians without recourse to the due processes of law. It was this framework of policy that permitted the atrocities practised by Neill in and around Allahabad and by his officers, like Colonel Renaud, when they moved from Allahabad towards Kanpur. A list of persons tried between 22 June and 2 July 1857 by the commissioner appointed at Allahabad under Acts XI and XVI of 1857 showed that anything from rebellion, to stealing, to desertion, to possessing money for which the accused could provide no explanation, were punished by death. Subsequently even the government had to admit that capital punishment was inflicted for trivial offences. . . and on evidence, which under ordinary circumstances, would not have been received, and that in some quarters the fact of a man being a Sepoy was enough, in the state of excited feeling which then prevailed, to ensure his apprehension and immediate execution as a deserter. I am convinced on the basis of the available documentary evidence that the scale of violence in the British counterinsurgency measures was much greater than was indicated in the one paragraph of my essay. From the British point of view, this was necessary because British rule without any legitimate basis in India had no other instrument at its disposal except violence on a grand scale to handle a crisis and perpetuate itself. It was necessary, as Lieutenant (later Lord) Roberts wrote, to show the Indians "that with God's help Englishmen will still be masters of India'' A master-servant relationship held together by force and fear had been destroyed and the master, the British, could restore the relationship only through a deployment of terror. John Lawrence expressed this in his statement: "Our object is to make an example to terrify others''. I am afraid that this sentence beginning with the words "our object" can only be read as statement of purpose, of intent and therefore of policy. Barbara English reads in Lawrence's letter a plea for clemency; I prefer to see in it also a cold-blooded calculation of what was a sufficient number to inject terror. Nowhere in my essay did I write about the executions of the 55th Native Infantry. So to say that I described "the executions . . . as massacres" is a distortion. What I described as "massacres" were the indiscriminate killings that Neill and his officers indulged in. One official describing one episode in Neill's operations wrote: Every native that appeared in sight was shot down without question, and in the morning Colonel Neill sent out parties of regiment . . . and burned all the villages near where the ruins of our bungalows stood, and hung every native that they could catch, on the trees that lined the road. Another party of soldiers penetrated in to the native city and set fire to it, whilst volley after volley of grape and canister was poured into the fugitives as they fled from their burning houses. Such killings were not rare occurrences under Neill and his officers in the area around Benares and Allahabad. I would, thus, like to stand by my use of the word "massacres" in describing these counter-insurgency measures. I did not suggest that Renaud's march "triggered" off the massacre at Satichaura Ghat. I was trying to suggest that the violence involved in the British counter-insurgency measures had to be borne in mind as a context of the massacres. I could have spelt out in detail the counter-insurgency measures which preceded the massacres but, as Barbara English admits, this is a well-known story. I thought it would be enough just to draw attention to this context. There is something very naive in the assumption, which Barbara English makes, that the atrocities were the work of "evil men". The violence had nothing to do, as I have tried to emphasize, with individual Englishmen and their characters. It was a product of a historical situation connected with the nature of British rule and resistance to it. As Kaye wrote, "it was not a time for tenderness - for mercy - even for justice''. Similarly, her statement that "Of the recruitment of mistresses by force there are no official records" will, I am sure, raise a hollow laugh among readers of Past and Present. As any social historian knows, the keeping of mistresses and other aspects of sexual politics seldom enter "official records". This is even more so when the relationship is one between colonizer and colonized. The punishment of blowing from cannons was practised by the Mughals. This is known. Why did the British retain it and use it so frequently? The available documentation offers some significant clues to the answer. One of the very early instances we have of the British using this method of punishment is the execution of a sepoy convicted of being a Maratha spy in 1780. The official report noted: We judged it highly necessary for the public safety in a case of such fatal Tendency, to inflict the most exemplary punishment and to make the Example as striking as possible to deter others . . . He was therefore put to death. . . by being blown from a gun.l9 To be exemplary it also had to be spectacular. The latter aspect was underscored in one of the first of such executions to be carried out in 1857. In Peshawar, on 10 June, forty mutineers were blown from guns and, according to Kaye, "the whole garrison of Peshawar was drawn up, forming three sides of a square, to witness the consummation of the sentence . . . Thousands of outsiders had poured in . . . to be spectators of the tremendous ceremony". Such executions were devised as a ceremony of power. The British used this mode of execution as a political ritual to invoke terror. One witness to the Peshawar executions noted that "this is nearly the only form in which death has any terrors for a native''.2l The onlookers beheld with a confused horror the spectacle of a human body blown to smithereens. The spectacle inevitably succeeded in evoking terror and awe. Such executions were invested with power relations. ... British power had articulated itself by marking the sepoy's body; when the sepoy defied the mastery, the dominance could only be restored by disembodying the rebel body with pomp and in public. British rule, despite its rhetoric of liberalism and civilizing mission, lacked any consensual basis in India; when that rule was threatened in the nineteenth century the British could not fall back on the politics of persuasion, it fell back on an instrument of terror which was a relic of the previous despotic regime. I absolutely refuse to accept and I dare say most historians of modern India will agree with me that Russell's diary and a pamphlet written by somebody who resided in north India before 1857 are "doubtful secondary material" for depicting British attitudes in India. Lurking behind this assertion of Barbara English is the assumption that only papers of governors-general and official dispatches have the status of primary sources. I may be forgiven if I have no patience with objections of this kind. Of "Nanak Chand's diary ... has been completely discredited since the publication in 1957 of S. N. Sen's Eighteen Fifty-Seven". She is unaware that S. B. Chaudhuri, who is as eminent and as influential a historian of the uprising as Sen, refuted Sen's objections. Barbara English writes: "In 1984 Rudrangshu Mukherjee published a history of the 1857 revolt in the kingdom of Oudh, of which Cawnpore had formerly been a part. His book contained no mention of the massacre, and it is to this that he has returned, in a recent article in Past and Present". The implication, I think, is obvious: I should have written about (or at least mentioned) the massacre in my book and I did not, and returned to it in the article. I made it clear on page 1 of chapter 1 of my book that it was concerned with that part of Awadh which Wellesley did not take from the Nawab in 1801. In other words, I wrote about the kingdom of Awadh which Dalhousie annexed in 1856. Kanpur was not a part of that kingdom so I could not possibly have written about the massacre. Therefore I did not "return" to the massacre in my article; rather it was the first time that I had any occasion to write about it.
A young corporal recounted the following incident, about an "honest" soldier, who had just disembarked with his head full of stories of atrocities: I seed two moors talking in a cart. Presently I heard one of 'em say 'Cawnpore'. I knowed what that meant; so I fetched Tom Walker, and he heard 'em say 'Cawnpore', and he knowed what that meant. So we polished 'em both off. [Russell, W.H. My Indian mutiny diary, p.29] p.118 In the repercussions to the killing of two thousand Britishers across the country, the number of Indians killed in reprisals has been estimated between 150,000 and twenty millions in Oudh alone. The total figures are difficult to assess. In War of Civilizations (2008), Amaresh Mishra suggests that 10-15 million Indians died in the decade following the mutiny. He outlines his arguments in an interview on Tehelka: I was intrigued that, in any history book, you won’t even find the question how many Indians were killed in 1857. Bipin Chandra, in the NCERT textbooks, says about 1.5 lakh. And he only mentions Awadh. There is no attempt to arrive at an all-India figure. This has bugged me. Sources on this are extremely rare. But then I thought how did they find out how many Jews were killed by the Nazis, how many by Stalin, how many in China by Mao? I saw that western scholars had developed a very interesting methodology where they are looking at the labour reports. So they compare the labour reports from pre and post-Great Leap Forward. I did the same and then I went on to the road survey reports. Every road building report in UP complains that there is lack of labour and the percentage which they give is very interesting. In Awadh, there are 16 reports that say there is a shortfall of more than 25 percent. At the conclusion of my second volume, I have quoted an officer's letter who says, I think we have polished off about 25 percent of these black devils. The population of Awadh in 1857 was one crore. In the 1872-census there is a 15-20 percent drop. It is only in the 1902 census that the population returns to one crore. At the GPO in Lucknow, I discovered ... reports by British GPO officers around early 1870s said that, between 1857 and 67, 20 lakh letters have been returned from Awadh addresses. He says that these people might have perished in the mutiny, because there is no account of them. He is enquiring into what to do with these, whether they should be addressed. I looked for a few letters and they were written in kheti, an early form of Devnagiri. I showed them to a scholar of kheti, and he was shocked because the dates they mention. One was 1859, sent by someone from abroad, writing because he has heard about the gadar. Clearly, much more research awaits the mutiny.
The truth is that the revolt of 1857 has not evoked a great deal of interest and enthusiasm among Indian historians. This might seem like an odd assertion but any bibliographical study will show that very few books and articles have actually been written since the clutch of books that came out in the centenary year. If reports are to be believed then the 150th anniversary will see many seminars, conferences and a large amount of government spending. This, one hope, will perhaps result in even books coming out to commemorate the uprising. One should perhaps be grateful since it is the anticipation of that public interest that has prompted the publishers to reprint this neglected monograph of mine, which was first published in 1998. The most noteworthy work on 1857 to be published since this book first appeared is, of course, The Last Mughal: The Fall of a Dynasty, Delhi 1857 by William Dalrymple. This is the first book is English to use the treasure trove of Urdu and Persian documents in the National Archives of India in New Delhi. In its purpose and in the range of themes it covers, Dalrymple's book is very different from my book, which tried to analyse the most violent episode of an uprising notorious for the blood that was shed in the course of it. Despite this, in the context of the analysis I had made of the Kanpur massacres, some aspects of Dalrymple's book should perhaps be highlighted. Dalrymple's rich and vivid narrative brings alive the events in Delhi immediately after the sepoys from Meerut entered the city on the morning of May 11. There was looting, plundering and killing, and the initiative was taken by members of the lower middle class-Muslim weavers and textile merchants. Apart from the white population, the targets were the elites of Delhi. The poet Ghalib was to lament this. Dalrymple quotes from his diary: 'Noble men and great scholars have fallen from power and nameless men with neither name nor pedigree nor jewels nor gold, now have prestige and unlimited riches.... Throughout the day the rebels looted the city, and at night they slept in silken beds... The city of Delhi was emptied of its rulers and peopled instead by creatures of the Lord who accepted no lord...' These events in Delhi, in fact, set a pattern for how the uprising began in other parts of north India. In Kanpur, as my chapter on the events tried to capture, the first days of the rebellion saw acts of looting and destruction. The targets were again the Britons, their property, government building and the Indian elites of Kanpur. The men who carried out these acts of violence elites of Kanpur. The men who carried out these acts of violence were the sepoys, the ordinary men of the city and of the surrounding villages. Nanak Chand's diary- in no way a document comparable to Ghalib's diary in terms of literary merit- bore witness to what I called a moment of liberation. Historians continue to ponder the question why a group of sepoys, who had broken off their loyalty to the British Indian army by killing their officers and all other Britons they could lay their hands on, should rush to Delhi to seek the blessings and the nominal leadership of an old and powerless Mughal Emperor. The Mughal Emperors had ceased to be of any consequence a long time before Bahadur Shah ascended the throne in 1837. Yet it was to him that the rebels first turned, and it was the fall of Delhi, after he had accepted the leadership, that triggered off uprisings in the various towns and cantonments of north India. The most important proclamations of the revolt were all issued in the name of Bahadur Shah or in some way alluded to his superiority. Loyalty to the regional princes like Birjis Qadr in Lucknow, Nana Sahib in Kanpur and so on occupied a secondary or a subordinate position. Despite this acceptance of the traditional leaders, the sepoys did not completely surrender their autonomy of decision-making. Tapti Roy in her study of the revolt in Bundelkhand noted a proclamation issued by the sepoys that declared: Khalk khoda ki, mulk Badshah ka, hukum subahdar sipahi Bahadur ka (The world is God's, the country is the Emperor's, the rule or order is that of the soldiers). In the course of the rebellion in Kanpur, as I noted, the views of the sepoys were critical in determining the turn of events. ... from the various rebels statements and ishtahars, it seems plausible to suggest that the rebellion of 1857 had a strong restorative element to it. It was to the Mughal Empire of the 18th century that the rebels harked back to. Yet it could never be a complete return. It is not unreasonable to suggest that through the experience of fighting the British, Indian ruling groups and the rebel sepoys had been compelled to recognize the military superiority of the British. This recognition should have made them admit that the way in which armies had been organized under the Mughals and their successor states in the 18th century was a thing of the past. Any attempt to introduce a European-style military organization would have had inevitable implications on state power and the way it was wielded. The concrete ramifications of this is, of course, a matter of speculation but it seems safe to suggest that such changes could not have contained in the 18th century state formations. from review of Mukherjee's serious coffee table book, 1857: http://www.telegraphindia.com/1080215/jsp/opinion/story_8905077.jsp Mukherjee says it was perhaps this perception of the rebellion as a struggle to preserve the purity of caste and religion of both Hindus and Muslims that forestalled a sexual attack on white women, equally victims of the movement as their men. However, the absence of rape, Mukherjee relents, is bound to remain an enigma since the survivors could not be expected to own up to their dishonour and the dead women could not tell their tale.